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LANCEMENTS EN SALLES Oct. 12 @
7 pm Oct. 29 @ 7:30 pm Oct. 30 @ 7 pm Oct. 30 @ 7 pm Oct. 25 @ 1 pm Oct. 31 Nov. 1 @ 2 pm Nov. 3 @ 7 pm Nov. 5-9 TBA Nov. 12-13 TBA Nov. 18 @ 7 pm |
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DRACULA:
PAGES FROM A VIRGIN'S DIARY
"Sexy,
brainy and slightly nuts." "Guy
Maddin succeeds brilliantly... May be the most faithful screen version "There¹s
bound to be a moistening of flesh in the audience." "[Maddin
is] wildly iconoclastic and criminally neglected." "A
drama of seething eros, sexual infection." "A
piece of kick-ass movie choreography." "Wowzer." ”A
doozy of a sexy, artsy alternative.” "A
genre-bending extravaganza." "Its
characters may be undead, but the "A
new-media Nosferatu ... a goth's "A
succulent treat." |
REVIEWS FROM THE NEW YORK OPENING ”Four
stars. Bloody good! Wonderful and unforgettable. Highly erotic. Brilliant
use of fog, mirrors, silhouettes, slow motion and special effects.” ”Four
stars. Audaciously sensual. It may be that the only authentic genius
under 50 currently making film is Canada’s Guy Maddin. That
is, if originality is a precondition of genius. The film takes a hysterical
tale ”One
of the most aesthetic versions of Bram Stoker’s masterpiece!
Shot entirely in black & white (except for the blood). Done with
elegance and grace!” ”A
dizzying cinematic take (A) phantasmagoric movie! Wildly and erotically
exotic. Victorian sexuality and melodrama are brought together in
a shadowy
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”May
be the finest film adaptation of Bram Stoker’s novel yet made.
It’s hard to imagine how this lush, gorgeously expressionistic
fantasia could possibly be improved.” ”Funny.
Powerfully seductive. It¹s also overtly erotic, willfully archaic,
often inspired, uncannily affecting, and beautifully convulsive. A
fascinating hybrid.” ”An
imagination unloosed! DRACULA is a demented movie -- delightfully
so. So thick with sensations, ideas, motifs and themes that it feels
as dense as a Pynchon novel. Bracing, sensual and very funny!” ”One
of the most original, audacious and hilarious takes on vampirism ever
committed to celluloid.” ”Hallucinatory
and exquisitely beautiful, with wonderful, offbeat touches and black
humor. A moviegoer’s feast and another dazzling delight from
this crackpot genius.” ”The
director¹s gift for reverent pastiches is unparalleled. (A) gem!” ”Both
rapturously beautiful and ecstatically odd! A radiant, flaked-out
hybrid of disparate art forms that shocks, then seduces, then wows.
So many scenes are indelible! Full of unexpected poetry.” |
| Récipiendaire des Prix nationale et internationale |
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GEMINI AWARDS |
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TORONTO INTERNATIONAL
FILM FESTIVAL GROUP |
BLIZZARD AWARDS |
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| Toute
nouvelle oeuvre de l’artiste Guy Maddin est un événement,
et The Heart of the World en 2000 ne faisait pas exception. Son dernier
long métrage, attendu depuis six ans, est un ballet de vampires
qui puise son inspiration aux sources (Bram Stoker, Le Nosferatu de
Murnau et Gustav Mahler). Dans DRACULA: PAGES FROM A VIRGIN’S DIARY,
le réalisateur canadien entreprend la synthèse audacieuse
du cinéma d’avant-garde et d’une chorégraphie
originale. Il enrichit le ballet physique et sensuel de Mark Godden,
interprété par le Ballet Royal de Winnipeg, de pantomimes
et d’intertitres. La narration et la photographie en noir et blanc,
caractéristiques de l’oeuvre de Maddin, l’injection
d’éclairs écarlates et d’effets sonores spasmodiques
qui font irruption dans la musique symphonique de Gustav Mahler parachèvent
une esthétique de l’excès, conforme à la tonalité
mélodramatique du récit. Guy Maddin offre une relecture
originale du récit mythique mille fois filmé de Bram Stoker:
il se focalise sur des éléments souvent ignorés
de précédentes adaptations cinématographiques.
Le réalisateur réinvente une nouvelle fois (plutôt
que de les adopter) les conventions du film muet. |
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Galerie
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| DOMINO FILM AND THE CANADIAN BROADCASTING CORPORATION PRESENT DRACULA: PAGES FROM A VIRGIN’S DIARY A VONNIE VON HELMOLT, MARK GODDEN AND GUY MADDIN PRODUCTION OF A VONNIE VON HELMOLT FILM IN ASSOCIATION WITH CANADA'S ROYAL WINNIPEG BALLET AND COURTESY OF OPENING NIGHT EXECUTIVE PRODUCED BY ROBERT SHERRIN FOR THE CANADIAN BROADCASTING CORPORATION BASED ON MARK GODDEN'S ORIGINAL BALLET "DRACULA" STARRING ZHANG WEI-QIANG, TARA BIRTWHISTLE, DAVID MORONI. CINDYMARIE SMALL, JOHNNY WRIGHT AND THE DANCERS OF CANADA'S ROYAL WINNIPEG BALLET EDITOR AND ASSOCIATE DIRECTOR DECO DAWSON PRODUCTION DESIGN DEANNE ROHDE COSTUME DESIGN PAUL DAIGLE DIRECTOR OF PHOTOGRAPHY PAUL SUDERMAN STILLS BRUCE MONK CO-PRODUCER LESLEY OSWALD ASSOCIATE PRODUCER DANISHKA ESTERHAZY MUSIC COMPOSED BY GUSTAV MAHLER COURTESY NAXOS OF AMERICA POST PRODUCTION MIDCANADA PRODUCTION SERVICES CHOREOGRAPHY MARK GODDEN PRODUCER VONNIE VON HELMOLT DIRECTOR GUY MADDIN PRODUCED WITH THE PARTICIPATION OF THE CANADIAN TELEVISION FUND, TELEFILM CANADA, THE GOVERNMENTS OF CANADA AND MANITOBA (FILM AND VIDEOTAX CREDIT PROGRAMS), MANITOBA FILM AND SOUND, CANWEST WESTERN INDEPENDENT PRODUCERS FUND AND WITH THE COLLABORATION OF THE CANADIAN BROADCASTING CORPORATION PHOTO BY BRUCE MONK Un
autre film canadien de la collection de Domino Film |
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